thank you very much for the comment.the figures at the beginning were generated in MSG, batch processed in SA with some 3D texture snd then randomly morphed together without any real thought to were the bezier curves went.i would probably struggle to do it again like that, mind you thats part of the fun.
With the release of Year of the Fish in USA theatres, is there any thought about releasing the film to iTunes? Now that movies are in Canada, and that the film distribution system in Canada is not the greatest for films that won't make the theatres 10M$ or, as I am, in the boonies of Canada and not able to make it to a large theatre in Toronto that might show the film. I would love to rent, buy the film if it can be licensed to iTunes.
I'm working on a feature length comedy called Sequitur which is going to be made largely of public domain footage modified with SA. I'm brand new to studio artist and am wondering if you could help me formulate a step by step paint sequence list (just in general) of what steps you did to to achieve the smooth liquid style of Year of The Fish. My fist trial had too much "gunk."
"Here are some V5 paint presets that show off different splatter effects. I've attached 2 categories as well as some Brush files they use that you might need if they aren't already inside your V5 Brush folder."
"For a long time, I used the ProRes 422(HQ) option, it was the format I worked with in both SA and FCP and later FCP X, but once I saw (on a movie theatre screen) the “same” movie in 422 (HQ) and in 4444, I was sold on ProRes…"