My first letter was created completely in Studio Artist. Since I wanted all the rest of the letters to have the same baseline and size, it was easier to set a black letter in photoshop and the imported it. I use region selection to create a mask.
You know, I looked at the bezier aspect of SA early on. Coincidentally I was spending a lot of time in Illustrator in my "day" job. I was sort of burned out on paths and perfection and so on. The hand drawn lines in this image were a hold over of that mentality.
I really should go back and play with that aspect of SA now that I'm over my Illustrator fatigue. Thanks for reminding me how deep and powerful SA is. I get locked into a specific approach sometimes and bury myself!
thank you for inviting me, liveart. I like the clarity of your work.
My present quest is to find the best equivalent on a PC for Final Cut Pro. It seems that SA itself does not have sufficient resources to actually link image and sound (?). If you know anybody who might know about this, kindly let me know.
My personal email is firstname.lastname@example.org
10. Variation 9
This is the tenth part of the Goldberg Variations, a music - images dialogue in 32 movements between Elisabetta Guglielmin (harpsichord) and Jean Detheux (images).
At first, the 32 videos will be posted on Vimeo, one at a time…
"Another approach to this kind of thing is to work with blocks of painted color that you then treat with water spread and water drip effects to get the fluid look. So rather then using a liquid paint, you emulate that mixing and spread effects by…"