John, very busy here, but here are a few quick thoughts:
1) temporal image processing as applied to rendering a video -as video.
2) processing several videos on multiple layers in a PASeq with Sequential Keyframing
3) more "hand-holding" in working…
Good idea Paul.
I would suggest in addition that their be a written user guide with step by step info so that after viewing the video/workshop the written steps will be more understandable. A further suggestion is that the written step by step be i…
Nice idea Paul.
Even though I've been using SA for a long time (since February 2000, time flies!!!), I often find it difficult to explore new features because I am almost always immersed in on-going work. Yet, seeing something happening (as in a vid…
Couldn't agree more-that would be immensely helpful! I've often wished I had the opportunity to be able to look over someone's shoulder--learning through observation has always worked for me. More detailed step by step video tutorials would do it...
I use it to emulate old print techniques (eg.chromolithography) and to extend the boundaries of photography. My use of SA as a visual storytelling process remains to be explored as well.
About Me:
My profession is graphics design and hand lettering. Initially I worked for Columbia Records during the Golden Age of Records. I have also had extensive experience in book design. Most of my work now is with magazine design. I also have taught design and typography for the past 20 years at the (formerly at School of Visual Arts & presently at the New York City College of Technology.)
The past few years I am much more interested in art/design for personal expression than in my commercial work. I have been taking drawing courses (academic style), sculpture, and Tibetan Thangka Painting with the idea of combining handwork with computer generated art.
Hi Paul,
inside your tip relating to the outline discussion you mention that it is possible to erase any line. I do not see any erase function. How does it work?
Hi Paul,
You're right about the strength of a photo, and altering it too much is dangerous in my book as well. Your latest "Frumpkin" is solid proof--it so strong to begin with. but the additional texture makes it a standout. I love it!
As for teaching, I still do, but online for the largest community college on the island, ncc, so I am in front of the screen 12-14 hrs a day. In between correcting work, I dabble--it's my much needed outlet. However, I feel way out of the league with those who post about sophisticated processes that I cannot get my brain around. This software is wonderful, but has such a high learning curve, that I find myself "stabbing" away hap hazardly most of the time and hoping for happy accidents to happen. When they do, I am pleased, but then cannot duplicate it because I can't remember what I did in the first place. I may be wrong, and may not have explored it enough, but the tutorials could use some updating and additional "simple" explanations for those of us who are not technically inclined. Seems like some processes have been ignored or not treated as fully as they could be. I have reviewed many tutorials repeatedly, but constantly have to come back to check something out. Usually end up having to work both in PS and SA to get something halfway decent. Cheers,Dee
Hi Paul,
Thanks for your kind words. Yes, I create based on photos taken here or in Spain: mostly flowers, nature in general, or events. Your Coney Island Project is unique, so keep it rolling!