"Without seeing the specific paseq you have created it's hard to know.
But be aware that when you record a paseq step, the state (on or off, checked or unchecked) of the "Mask" option at the top of the canvas tool bar is recorded into…"
Animation mostly; some graphics; photography. Motifs from hyper-realistic to abstract. I use SA's rotoscoping/auto-drawing features and its "(all things) old (are new) school" manual, hand drawing capabilities. I use MSG Evolver on its own and in Studio Artist paint action sequences.
Digital media with analog heart.
Doing digital monk's work; I labor (enjoyably) to create a swirl of film, video and enriched digital paint. My roots are in experimental film, hand rotoscoped animation, audio collage, stereoscopic & hand colored photography.
I've done work for narrative, documentary, music video, dance, theater, corporate and private projects, including the BBC mini series, "Gory Greek Gods". Screenings in Atlanta, Berkeley, Boulder, Dallas, Los Angeles, New York, Miami, Philadelphia, San Francisco, Seattle and Zagreb.
New areas of development include work for dance, theater and opera.
I really admire you're work and was wondering if you could provide some insight into your World Trade Center video on your site. I imagine it was done with time particles but I can't quite get mine to behave the way I want to. I've read your responses in other forums of how your animations require very careful tweaking and maybe that's what I'm getting wrong but I would really appreciate a helpful hint.
i'm gla di could help. but since I mistakenly posted my reponse on your comments page... i've reposted it here for others to see:
At 7:46am on August 13th, 2007, Victor Ingrassia said…
You are right about the "tweak" issues. Because with the time dependent nature of Time Particles you can have the same settings work on one video clip and fail on another. For instance with the WTC clip I have the particles following paths of luminance. So light areas in the source image steer the particles in one direction, dark areas in the other. This makes things very sensitive to the brightness and contrast of your source.
For your purposes, I'm guessing that most important settings contributing to the World Trade center piece are:
That the particles follow lines of luminance:
TP2>Path Angle: Lum
That the particles only live for a while:
TP1> Fixed Time=60 (I'm guessing here... I don't have the original paseq anymore)
And that I do not erase the canvas, but fade the canvas to black to increase continuity:
Image Operation> Fixed Color >Black >Mix:(approx)15%
This causes the particles which have been painted on the canvas to fade to black over time... in effect a 15% black eraser which slowly removes what's old on the canvas. This is a classic approach; leaving trails, creating some continuity from frame to frame and adding to an overall sense of smoothness.
Other than that, play with the number of paths, the size of the brush, the spacing of the particles... and do your development and tests on the very clip you intend to use...because too many things change from video to video. Keep "exporting as" all your test paseq's so you have all your incarnations in case you need em. And when you have something you like, use that paseq as your starting point to tweak for other source video. There's a good chance you'll go through 10-20 different versions before you find the one that works just right for you.
"If you have very specific requirements for how you want the image folder brushes to be laid own in the canvas, and if the RGB Match brush indexing doesn't do the job you want, you could build selection masks and run multiple passes with the…"
"So i'm confused about what you are trying to do. The RGB Mapping frame modulator in Brush Source is going to choose the image that gives the least RGB error when matched to the source color where it is being placed down. You have it…"
"Well, if you look in the Brush Modulation control panel, you will see that you are using the source Image Orientation to modulate both the size and the orientation of the brush nibs.
So if you set the Size Modulation to None, then there will be no…"
Image sequence built with individual images pulled from the Variation 18 video posted on Facebook, the images are being used based on the viewers' reaction.
More info here: https://vimeo.com/showcase/5641128
At first, the 32 videos will be posted…
21 Variation 20
This is the 21st part of the Goldberg Variations, a music - images dialogue in 32 movements between Elisabetta Guglielmin (harpsichord) and Jean Detheux (images).
At first, the 32 videos will be posted on Vimeo, one at a time (Aria…
Attached are:Exported Image = GirlWithClasses_Soda.jpgPaint Synthesizer Preset = Alpha_PNG_TSP_Untouched_Orient_Modulation_6Mosaic Image Folder = Stuff.zipI want to replace certain colors from my GirlWithGlasses.jpg source image with certain .png's from my Mosaic Image Folder:Source Image skin color = Yellow Fanta soda canSource Image hair color = Orange Fanta soda canSource Image clothing color = Purple Fanta soda canSource Image glasses and pupils = = Black Coke soda canSource Image lips =…See More