Art Processing Sharing Blog
I just got my new Macbook Pro last week and I'm so excited! The way that I work with Studio Artist 4 has been dramatically enhanced and I'm enthralled. Floating palettes make sense now! I had to decide between the 27" iMac and the Macbook Pro and ultimately went with the MBP because it allowed me to work away from my desk.
With an external monitor I can actually see and think about things that I literally couldn't see on my old 13" macbook. I also was able to snag Motion 5 for $50 so I'm thrilled (first time I've owned a machine that was capable of running it.) Very eager to develop a workflow between Studio Artist and Motion.
May I recommend a highly enjoyable documentary on the film/ animation work of the artist Al Jarnow . Many of you will recognize Al's wonderful work for children from Sesame Street
Please follow the link below the video to enjoy the full size version on Vimeo.
Asymmetric Cycles: The Work Of Al Jarnow from numerogroup on Vimeo.
I employ several learning styles, but my favorite is experience. So I typically "fearlessly" bang my empty head on trying things until something begins to make sense. Today I explored PASeq's with multiple layers, learned about exporting Presets, about the PASeq Default panel, and explored how to get a multi-layered effect when batch-processing images. I am grateful to John Dalton and to liveart, for standing with me in my crash-bang learning process today. :-)
Here is an oil-painted volumetric cloud fly-thru (120 frames):
I spent about a day going through almost every SA factory preset (while I read the manual), saving out many individual images as I tried each preset, all based on the same source image. I made a simple video of the 145 images which came from this exploration, to demonstrate the variety of some of SA's stock presets.
Someone posted an image online that was an average of all of the Vogue magazine cover images for a year. So it's a simple example of the stack filtering ideas we've been discussing recently. This wasn't done using Studio Artist, but i thought people might find it interesting.
The MAC presents Times Twenty Plus (X20+) August 7th 11:00am- 9:00pm Free and open to the public |
Times Twenty Plus (X20+) chronicles, compiles and serves as a place and structure for video and sound art inthe North Texas area. These fields of activity are distinctivepractices in the arts that are growing rapidly. Video/Soundequipment and software have become portable and economically feasiblefor a growing number of artists to utilize as a tool for the creativeprocess. X20+ is a conduit to the proliferation of video/sound art andfeeds off the technology and cultural forms of the current timescape inwhich we are living. X20+ will hold performances andpresentations in both theaters and in the lobby of the McKinney AvenueContemporary Complex. X20+ breaks the norms of traditional genres ofart by presenting linear and nonlinear, narrative and non narrative,abstract and figurative video and sound art compiled into one Saturday evening filled with video and sound action. Thecompilation of twenty plus video artists will begin at 11:00 am andwill continuously play and loop in the Heldt Hall Theater until 6:00pm. There will be additional programming beginning at 6:00 in bothHeldt Hall and Black Box theaters. Please see schedule as listed below!! Black Box Theater 6:00 - 7:00 VJ Anomalee 7:00 - 8:00 Aaron Gonzalez - Deflowered Electronic Flesh Bride 8:00 - 9:00 Thorrific Heldt + Hall Theater 6:00 - 7:00 Booker T. Washington Film Club 7:00 - 8:00 Inter.sect Art Collective 8:00 - 9:00 Featured Artists Featured Artists include the following: Trent Straughan, Robert Flowers, Christi, Nielsen, Kyle Kondas BINARY SOUND MACHINE ~~~ Lobby |
About the MAC Established in 1994, The McKinney Avenue Contemporary (The MAC) is a nonprofitorganization that stands as a Dallas advocate for creative freedomoffering the opportunity for experimentation and presentation of art inall disciplines. It supports the emerging and established artist rollin society providing a forum for critical dialogue with theiraudiences. This relationship is cultivated through education andinnovative programming. The MAC is a member of Dallas Art DealersAssociation and The Uptown Association. Call 214-953-1212 for information or visit www.the-mac.org. The MAC is open Wednesday - Saturday 11 a.m. - 9:00 p.m. For more information, visit www.the-mac.org Interviews and images related to this exhibition are available upon request. Trademarks / CopyrightsThe MAC, The McKinney Avenue Contemporary, its name and logo are registeredCopyrights of The McKinney Avenue Contemporary, a nonprofit 501(c)(3)tax-exempt corporation. Other names may be trademarks and or copyrightsof their respective owners. |
June 2010
Michael Wright (aka. Mrags Writer) is presenting his “Virtual World Project 09: Anarchy City” at The New Media Consortium Summer Conference Interactive Sessions , to be held June 9-12 in Anaheim, California hosted by the University of Southern California . This is the third year in a row that Wright’s project was chosen to be featured as part of the interactive showcase presented Thursday, June 10.The NMC Interactive sessions are designed to showcase current research, projects, and programs taking place at innovative institutions across the country.
The New Media Consortium (NMC) is an international not-for-profit consortium of over 260 learning-focused organizations dedicated to the exploration and use of new media and new technologies. NMC Brochure preview NMC member institutions are found in almost every state in the United States, across Canada, and in Europe, Asia and Australia. Among the membership are an elite list of the most highly regarded colleges and universities in the world, as well as a growing list of innovative museums, research centers, foundations, and forward-thinking companies. The consortium serves as a catalyst for the development of new applications of technology to support learning and creative expression, and sponsors programs and activities designed to stimulate innovation, encourage collaboration, and recognize excellence among its member institutions. Through its many projects, its comprehensive website, and its series of international conferences, the NMC stimulates dialog and understanding through the exploration of promising ideas, technologies, and applications.
Wrights virtual world project 09 involved three classes consisting of 66 digital media sophomore students participated in this project choosing an apocalyptic city as theme. The project required team building, out of the box creative thinking, introducing students to working with 3d & 2d virtual tools in real time, working with a budget, working with a deadline and working with a limited amount of building blocks (primitives). Three hours of in-class time and 10 hours of outside of class time were devoted to this build.
Michael Wright is a painter who began to explore Digital Media in the mid 1980s on an Amiga computer. He exhibited his first Digital Prints in 1989. He has exhibited digital and traditional works on a national & international level. Wright is currently exploring art and art education in virtual worlds.
Wright, a professor in the Digital Media and Liberal Studies Programs at Otis College of Art and Design in Los Angeles, is one of the pioneer artists mentioned in an article by new media art historian Patric D Prince in the spring 09 issue of the ”Art Journal” published by the College Art Association. The Prince article “Imaging by Numbers: A Historical View of Digital Printmaking in America” is one of three features dealing with early digital art making covered in the spring issue of the “Art Journal”. Wright is also a member of NMC, ACM, SIGGRAPH, Ylem, ASCI, and the Los Angeles Printmaking Society. Wright's digital work is represented in “The Art of the Digital Age” by Bruce Wands, “Going Digital” by Joseph Nalven and JD Jarvis, "Computer Graphics World" '25 year Retrospective of Digital Art" in its January 2002 issue and in the magazine’s "Portfolio" section of the November, 2001, issue. Wright is profiled in "Computer Graphics Companion" edited by Jeffrey McConnell Anthony Ralston and Edwin Reilly. His work also appears in "The Computer in the Visual Arts" by Anne Morgan Spalter of Brown University, published by Addison Wesley and is also published in Linda Jacob's seminal book, "CyberArts: Exploring Art & Technology". He and his work have been featured in Wired, Micro Publishing News, Computer Graphics & Applications and Agent X, Television Tokyo. Wright's digital prints are in the collection of the State Museum in Novorsibirsk, Russia and the Victoria and Albert Museum in London UK, the repository for British art book & print collections. Wright was one of six resident artists invited to SIGGRAPH’S first Artists in Residence Program at SIGGRAPH 2007, in San Diego California.
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education grants law school texasHi, here is a new video, lots of MSG (background layer) and MSG generation path starts along with Time Particles in the paint synth, the "Piggy" figure I made in ZBrush and then animated in Blender, with embedded alpha channel, then took into Studio Artist and made into several different kinds of Movie Brushes. Several layers composited together in Blender. Music made with Bespoke Synth and my Shenai. If anyone has any questions about how it was done I'd be happy to explain more.…
I am not sure if this forum is active anymore... I thought it would be fun to post a very early piece of mine made with, probably, SA3 or 4. I have been a user since 2001.
"Chromosome Rain", 2010
Another experiment painting with Paint Synth vector based presets. Captured rather than output to file.
Either the night sky before the Day of the Triffids - or a closup of Star Treks The…
A capture of a PasEq playback (all I had left after a crash) I didn't save the over sized Paint Synth Presets that I was adjusting and testing... But I did save the PAsEq. This would be what…
Working with Source .png Images Turning the alpha channel on for transparent .png backgrounds When using .png source images with transparent backgrounds, you will need to set Canvas > Selection > Set to > Source Alpha and then Check Mask…
Basics of the Dual Paint Mode, Concepts and How to Create Your Own Dual Paint Presets For More Information on Dual Paint please see this DUAL PAINT POST For More Information DUAL PAINT POST
The post…
How to Erase the Canvas To erase the canvas choose the Eraser Icon at the top of the Interface or choose Canvas > Erase to See this Post for more detailed information on the canvas eraser options.
The post…
Everything You Need to Know about Studio Artist Presets and Preset Management
The post Preset Management Video appeared first on Studio Artist…
Resizing the Canvas Please see this tip on Resizing the Canvas And how to Resize the Canvas for High-Resolution Print
The post Resizing the Canvas appeared first on…