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Studio Artist 4 on a macbook pro (2011)

I just got my new Macbook Pro last week and I'm so excited!  The way that I work with Studio Artist 4 has been dramatically enhanced and I'm enthralled.  Floating palettes make sense now!  I had to decide between the 27" iMac and the Macbook Pro and ultimately went with the MBP because it allowed me to work away from my desk.  

 

With an external monitor I can actually see and think about things that I literally couldn't see on my old 13" macbook.  I also was able to snag Motion 5 for $50 so I'm thrilled (first time I've owned a machine that was capable of running it.)  Very eager to develop a workflow between Studio Artist and Motion.

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Being Hip

LIFE, SPACE, HIPPNESS, BEING COOL

 

In the Universe there is more space than anything else. Life is in the space of things. Between the lines, amongst the particals of celebrity. Being a star is such a small thing compared to how much space there is in this wonderful Universe of ours. The artist are the real polititians, the authentic leaders of our civilization. Turn off the TV for a while and paint something, write something, sing something, talk to somebody, cry, laugh, stomp your feet. Begin to enjoy the space. It is everywhere
As the rich get richer and the poor get richer and we are you know. Civilization moves on to its destiny. Being transformed again. I am poor because I want to be, I am rich because I need to be. I fall in the dirt and get up. I walk on the dirt and my feet never get dirty. I listen to what nature has to say to me. It says, "move, rest, move, rest". There is nothing outside of nature. All things are natural even what we identify as unatural. there are only perversions of nature and that is natural. The Buddist, the Taoist, the Tantric, the Catholic, the Christian, the Jew, the Islamic. All voices in the dark, in space, chatter. Listen to the inner voice that is special only to you. the voice that dances to the rythm of your heart, your breath, your being. That is the call of Nature our mother our Womb. 
In the beginning was Hippness. Far from anywhere the vibration of Hip permeated the Cosmos. It spread until in came in contact with matter and life was born. The first life form was the Hippest and then as life evolved being Hip became a normal state of being. But somewhere along the way a fluke happened. Somewhere along the way a Hip vibration was broken and the connection to being Hip was severed. Now all beings are not Hip only some. In order to get Hip you have to find your vibration that comes from your soul, your inner being. That place inside where all is quiet and serene, tranquil. A place where nothing flubbles you. That is the place where your Hippness resides. That is the place where Coolness is born.
Like the Transformers we transform too. Our transformation is from immature to mature, from unconscious to conscious to awareness and bliss. Once we become aware we can never go back to sleep again. Something must be done, active participation is needed. The fire has been lit, the darkness has been brought into the light. We are a part of the whole thang now. 
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9013421492?profile=original February  2011

Michael Wright
aka Mrags Writer is Debuting his internet work “Looking In, Looking Out” at mrwstudios.blogspot.com.
“Looking In, Looking Out” consists of self portraits paintings created daily for one year beginning on the artists birthday in 2010 and ending on his birthday in 2011.  Wright has focused on the portrait as one of his life themes. “I have worked over the years with the portrait as representing the individuals struggle for spiritual freedom. I see my work in relationship to how different cultures view themselves at this time in our history.  My work looks to represent the spiritual force behind surface appearance. I believe that there are keys to the understanding of nature, the universe, and woman/mans place in it. I choose to see the Universal in, as they say in Zen, “the thousand and one things around us."  I’m continually in a state of awe at our place in the universal scheme of things. My work attempts to reflect that awe.”  This work is inspired by Joe Nalvan and JD Jarvis’s book “Going Digital” and funded by M Ragsdale Wright Studios.

Michael Wright aka. Mrags Writer is a painter who began to explore Digital Media in the mid 1980s on an Amiga computer. He exhibited his first Digital Prints in 1989. He has exhibited digital and traditional works on a national & international level. Wright is currently exploring art and art education in virtual worlds.
 
Wright is a professor in the Digital Media and Liberal Studies Programs at Otis College of Art and Design in Los Angeles. Wright is one of the artists mentioned in an article “Imaging by Numbers: A Historical View of Digital Printmaking in America” by new media art historian Patric D Prince in the spring 09 issue of the ”Art Journal” published by the College Art Association. Wright's digital work is also represented in “The Art of the Digital Age” by Bruce Wands, “Going Digital”  by Joseph Nalven and JD Jarvis, "Computer Graphics World" '25 year Retrospective of Digital Art" in its January 2002 issue and in  the magazine’s "Portfolio" section of the November, 2001, issue.  Wright is profiled in "Computer Graphics Companion" edited by Jeffrey McConnell Anthony Ralston and Edwin Reilly. His work also appears  in  "The Computer in the Visual Arts" by Anne Morgan Spalter of Brown University, published by Addison Wesley and is also published in Linda Jacob's seminal book, "CyberArts: Exploring Art & Technology". He and his work have been featured in Wired, Micro Publishing News, Computer Graphics & Applications and Agent X, Television Tokyo. Wright's digital prints are in the collection of the State Museum in Novorsibirsk, Russia and the Victoria and Albert Museum in London UK, the repository for British art book & print collections. Wright was one of six international resident artists invited to SIGGRAPH’S first Artists in Residence Program at SIGGRAPH 2007, in San Diego California. Wright created his portrait virus project for the SIGGRAPH STUDIO in Los Angeles 2010.
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Rotoscoping with multiple layers

I employ several learning styles, but my favorite is experience. So I typically "fearlessly" bang my empty head on trying things until something begins to make sense. Today I explored PASeq's with multiple layers, learned about exporting Presets, about the PASeq Default panel, and explored how to get a multi-layered effect when batch-processing images. I am grateful to John Dalton and to liveart, for standing with me in my crash-bang learning process today.  :-)

Here is an oil-painted volumetric cloud fly-thru (120 frames):

http://www.vimeo.com/19147318

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Factory Presets

I spent about a day going through almost every SA factory preset (while I read the manual), saving out many individual images as I tried each preset, all based on the same source image. I made a simple video of the 145 images which came from this exploration, to demonstrate the variety of some of SA's stock presets.

http://vimeo.com/19083379

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http://www.the-mac.org/PR_x20plus

The MAC presents
Times Twenty Plus (X20+)
August 7th 11:00am- 9:00pm
Free and open to the public

twenty times plus

Times Twenty Plus (X20+)
chronicles, compiles and serves as a place and structure for video and sound art inthe North Texas area. These fields of activity are distinctivepractices in the arts that are growing rapidly. Video/Soundequipment and software have become portable and economically feasiblefor a growing number of artists to utilize as a tool for the creativeprocess. X20+ is a conduit to the proliferation of video/sound art andfeeds off the technology and cultural forms of the current timescape inwhich we are living.

X20+ will hold performances andpresentations in both theaters and in the lobby of the McKinney AvenueContemporary Complex. X20+ breaks the norms of traditional genres ofart by presenting linear and nonlinear, narrative and non narrative,abstract and figurative video and sound art compiled into one Saturday evening filled with video and sound action.

Thecompilation of twenty plus video artists will begin at 11:00 am andwill continuously play and loop in the Heldt Hall Theater until 6:00pm. There will be additional programming beginning at 6:00 in bothHeldt Hall and Black Box theaters.

Please see schedule as listed below!!

Black Box Theater
6:00 - 7:00 VJ Anomalee
7:00 - 8:00 Aaron Gonzalez - Deflowered Electronic Flesh Bride
8:00 - 9:00 Thorrific

Heldt + Hall Theater
6:00 - 7:00 Booker T. Washington Film Club
7:00 - 8:00 Inter.sect Art Collective
8:00 - 9:00 Featured Artists

Featured Artists include the following: Trent Straughan, Robert Flowers, Christi, Nielsen, Kyle Kondas

BINARY SOUND MACHINE ~~~ Lobby

About the MAC

Established in 1994, The McKinney Avenue Contemporary (The MAC) is a nonprofitorganization that stands as a Dallas advocate for creative freedomoffering the opportunity for experimentation and presentation of art inall disciplines. It supports the emerging and established artist rollin society providing a forum for critical dialogue with theiraudiences. This relationship is cultivated through education andinnovative programming. The MAC is a member of Dallas Art DealersAssociation and The Uptown Association.


Call 214-953-1212 for information or visit www.the-mac.org. The MAC is open Wednesday - Saturday 11 a.m. - 9:00 p.m. For more information, visit www.the-mac.org

Interviews and images related to this exhibition are available upon request.


Trademarks / Copyrights

The MAC, The McKinney Avenue Contemporary, its name and logo are registeredCopyrights of The McKinney Avenue Contemporary, a nonprofit 501(c)(3)tax-exempt corporation. Other names may be trademarks and or copyrightsof their respective owners.


This announcement is provided to you solely for information purposes. Manyfactors can materially affect The MAC exhibit plans. The MACspecifically disclaims any liability with respect to this information.

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Thor Johnson - New Works - Live Audiovisual Performances - Haley-Henman Gallery, July 10, 2010

Saturday, July 10, 8 - 10 pm.
Haley-Henman Gallery
2335 Hardwick Street
Dallas, Texas 75208

Haley-Henman Gallery presents a rare event of live solo performances of new interactive audiovisual works by Thor Johnson aka Thorrific.

http://thorrific.com/

http://www.haleyhenman.com/

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June 2010

Michael Wright (aka. Mrags Writer)
is presenting his “Virtual World Project 09: Anarchy City” at The New Media Consortium Summer Conference Interactive Sessions , to be held June 9-12 in Anaheim, California hosted by the University of Southern California . This is the third year in a row that Wright’s project was chosen to be featured as part of the interactive showcase presented Thursday, June 10.The NMC Interactive sessions are designed to showcase current research, projects, and programs taking place at innovative institutions across the country.

The New Media Consortium (NMC) is an international not-for-profit consortium of over 260 learning-focused organizations dedicated to the exploration and use of new media and new technologies. NMC Brochure preview NMC member institutions are found in almost every state in the United States, across Canada, and in Europe, Asia and Australia. Among the membership are an elite list of the most highly regarded colleges and universities in the world, as well as a growing list of innovative museums, research centers, foundations, and forward-thinking companies. The consortium serves as a catalyst for the development of new applications of technology to support learning and creative expression, and sponsors programs and activities designed to stimulate innovation, encourage collaboration, and recognize excellence among its member institutions. Through its many projects, its comprehensive website, and its series of international conferences, the NMC stimulates dialog and understanding through the exploration of promising ideas, technologies, and applications.

Wrights virtual world project 09 involved three classes consisting of 66 digital media sophomore students participated in this project choosing an apocalyptic city as theme. The project required team building, out of the box creative thinking, introducing students to working with 3d & 2d virtual tools in real time, working with a budget, working with a deadline and working with a limited amount of building blocks (primitives). Three hours of in-class time and 10 hours of outside of class time were devoted to this build.

Michael Wright is a painter who began to explore Digital Media in the mid 1980s on an Amiga computer. He exhibited his first Digital Prints in 1989. He has exhibited digital and traditional works on a national & international level. Wright is currently exploring art and art education in virtual worlds.

Wright, a professor in the Digital Media and Liberal Studies Programs at Otis College of Art and Design in Los Angeles, is one of the pioneer artists mentioned in an article by new media art historian Patric D Prince in the spring 09 issue of the ”Art Journal” published by the College Art Association. The Prince article “Imaging by Numbers: A Historical View of Digital Printmaking in America” is one of three features dealing with early digital art making covered in the spring issue of the “Art Journal”. Wright is also a member of NMC, ACM, SIGGRAPH, Ylem, ASCI, and the Los Angeles Printmaking Society.
Wright's digital work is represented in “The Art of the Digital Age” by Bruce Wands, “Going Digital” by Joseph Nalven and JD Jarvis, "Computer Graphics World" '25 year Retrospective of Digital Art" in its January 2002 issue and in the magazine’s "Portfolio" section of the November, 2001, issue. Wright is profiled in "Computer Graphics Companion" edited by Jeffrey McConnell Anthony Ralston and Edwin Reilly. His work also appears in "The Computer in the Visual Arts" by Anne Morgan Spalter of Brown University, published by Addison Wesley and is also published in Linda Jacob's seminal book, "CyberArts: Exploring Art & Technology". He and his work have been featured in Wired, Micro Publishing News, Computer Graphics & Applications and Agent X, Television Tokyo. Wright's digital prints are in the collection of the State Museum in Novorsibirsk, Russia and the Victoria and Albert Museum in London UK, the repository for British art book & print collections. Wright was one of six resident artists invited to SIGGRAPH’S first Artists in Residence Program at SIGGRAPH 2007, in San Diego California.
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Plushenko giant in short program

Until he came out of skating hibernation this season, Evgeni Plushenko had settled himself in for a long winter’s nap - three years long, in fact. But when Mother Russia needed him back for the Olympics, the defending champion dutifully rubbed his eyes, dusted off his skates and emerged from retirement with his jumping skills still intact.“I am nervous today because it is the Olympic Games,’’ the 27-year-old Plushenko said last night after he’d won the men’s short program by little more than half a point ahead of world champion Evan Lysacek. “Every Olympic Games, it is hard to compete.’’But just as he was in Turin four years ago, Plushenko is the man to beat in a field that also included former world titlists Stephane Lambiel of Switzerland and Brian Joubert of France. Barely 40 seconds into his program, he’d piled up 32 points with a quadruple toe-triple toe combination (14.80), a triple axel (10.00), and a triple lutz (7.20). “I skated not bad,’’ reckoned Plushenko, who posted 90.85 points to Lysacek’s 90.30.If Plushenko can hold off his rivals again in tomorrow night’s free skate, he’ll be the oldest Olympic men’s champion since Sweden’s Gillis Grafstrom in 1928 and the first to repeat since Dick Button in 1952. Yesterday though, Plushenko needed every one of his 51.10 points for technical elements to hold off his American rival, who had a 42.00 to 39.75 edge in artistic components and has a chance to win the gold medal if he can skate flawlessly.“I had some pressure coming in as reigning world champion and I felt it,’’ said the 24-year-old Lysacek, who won in Los Angeles last year to become the first American champion since Todd Eldredge in 1996. “Also, I had a little bit of a monkey on my back because of how I skated my short program in Turin. To be able to go out and silence that felt very good.’’The US hasn’t won the gold since Brian Boitano upset Brian Orser in 1988 in Calgary and has failed to make the podium at three of the last four Games. The Yanks had history going for them here, though, since all of their reigning world champions - Button (1952), Hayes Jenkins (1956), David Jenkins (1960), and Scott Hamilton (1984) - have won at Olympus.All of them, though, also came here as US champions. Lysacek had finished second last month to defending titlist Jeremy Abbott, who had a nightmarish outing last night and is buried in 15th place. “Never in my wildest dreams did I think that would happen,’’ said the 24-year-old Abbott, who landed his opening triple flip combination, but then singled his triple axel and doubled his triple lutz. “I don’t know when it went wrong but something happened and the next two jumping passes just disintegrated.’’Abbott’s collapse, which nearly mirrored his woeful outing at the world championships, was countered by a surprisingly sound effort from Johnny Weir, the former three-time US champion who barely made the Olympic team.“I actually had fun tonight and that’s something I haven’t been able to say for a long time,’’ said the 25-year-old Weir, who is in sixth place behind Lambiel. “Tonight was everything I was hoping it would be.’’Plushenko, who had to be coaxed out of retirement by his federation to give the Russians a chance to win a fifth straight gold medal, wasn’t sure what he should be hoping for. Because he hadn’t competed between the Turin Games and this season and therefore had a low international ranking, Plushenko found himself skating two hours before the other contenders, tossed in with a group of phonetic challenges - Abzal Rakimgaliev, Przemyslaw Domanski, and Ari-Pekka Nurmenkari .It was his first global appearance since the last Games and while there were a few cobwebs showing, especially on landings and transitions, Plushenko laid down a powerful and clean program. If anything, his free skate is even more demanding and since Lysacek probably won’t attempt a quad, the Russian should have a decided technical edge.“It is not end of fighting,’’ said Plushenko. “Fighting will be in the free program.’’

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Piggy Particles


Hi, here is a new video, lots of MSG (background layer) and MSG generation path starts along with Time Particles in the paint synth, the "Piggy" figure I made in ZBrush and then animated in Blender, with embedded alpha channel, then took into Studio Artist and made into several different kinds of Movie Brushes. Several layers composited together in Blender. Music made with Bespoke Synth and my Shenai. If anyone has any questions about how it was done I'd be happy to explain more.…

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Comments: 3

The one that got away


A capture of a PasEq playback (all I had left after a crash) I didn't save the over sized Paint Synth Presets that I was adjusting and testing... But I did save the PAsEq. This would be what…

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Les Wagstaff liked Paul Perlow's profile
21 hours ago
Thor Johnson commented on Thor Johnson’s status
"To clarify, I did not make this using 3 layers by using the Layers window in Studio Artist, each layer was processed seperately and then put together and exported as a movie in Blender."
Mar 11
Working with Source .png Images – Transparent Backgrounds via Studio Artist AI

Working with Source .png Images Turning the alpha channel on for transparent .png backgrounds When using .png source images with transparent backgrounds, you will need to set Canvas > Selection > Set to > Source Alpha and then Check Mask…

Jan 11, 2023
Dual Paint Mode Video Explainer via Studio Artist AI

Basics of the Dual Paint Mode, Concepts and How to Create Your Own Dual Paint Presets For More Information on Dual Paint please see this DUAL PAINT POST   For More Information DUAL PAINT POST

The post…

Apr 5, 2022
Erasing the Canvas via Studio Artist AI

How to Erase the Canvas To erase the canvas choose the Eraser Icon at the top of the Interface or choose Canvas > Erase to See this Post for more detailed information on the canvas eraser options.  

The post…

Apr 4, 2022
Preset Management Video via Studio Artist AI

Everything You Need to Know about Studio Artist Presets and Preset Management  

The post Preset Management Video appeared first on Studio Artist…

Apr 4, 2022
Resizing the Canvas via Studio Artist AI

Resizing the Canvas Please see this tip on Resizing the Canvas And how to Resize the Canvas for High-Resolution Print

The post Resizing the Canvas appeared first on…

Apr 4, 2022
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