My first letter was created completely in Studio Artist. Since I wanted all the rest of the letters to have the same baseline and size, it was easier to set a black letter in photoshop and the imported it. I use region selection to create a mask.
You know, I looked at the bezier aspect of SA early on. Coincidentally I was spending a lot of time in Illustrator in my "day" job. I was sort of burned out on paths and perfection and so on. The hand drawn lines in this image were a hold over of that mentality.
I really should go back and play with that aspect of SA now that I'm over my Illustrator fatigue. Thanks for reminding me how deep and powerful SA is. I get locked into a specific approach sometimes and bury myself!
thank you for inviting me, liveart. I like the clarity of your work.
My present quest is to find the best equivalent on a PC for Final Cut Pro. It seems that SA itself does not have sufficient resources to actually link image and sound (?). If you know anybody who might know about this, kindly let me know.
My personal email is email@example.com
"This is a really good example of how perceptual modulation of diverse sets of different paint synthesizer parameters can really tune what is happening in the canvas. This applies to realistic painting goals, or to abstract painting…"
"Here are some more examples of artwork automatically created using generative paint strategies in Studio Artist V5.5 gallery show. I'm also playing around with some of the settings in the new Transition Context effects to create the transitions…"