I was looking for a more integrated approach to adding a graffiti textured character to the image. So i took the static time-embedded temporally processed image from my previous example and rendered it using a graffiti movie source brush in the paint synthesizer.
It ended up giving the image an almost watercolor kind of feel. So it's not the urban look i was thinking i'd get but still a useful approach.
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I actually prefer the previous image. But the possibilities.. well again they are endless. Honestly I never would have thought it would be possible to so amazingly extend the power of SA. I mean it really was already incredible. But adding the temporal dimension is just fantastic.
My art has long been about capturing a single moment, but to freeze multiple moments into a single image to be experienced at once....
Truly I am just blown away.
I have a colleague who has been using rapid shot still frames and hand cutting the negatives to create work based on a similar concept of frozen time-elapse.. (he just recently started to use photoshop). I actually think that he might faint when he sees this.
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My art has long been about capturing a single moment, but to freeze multiple moments into a single image to be experienced at once....
Truly I am just blown away.
I have a colleague who has been using rapid shot still frames and hand cutting the negatives to create work based on a similar concept of frozen time-elapse.. (he just recently started to use photoshop). I actually think that he might faint when he sees this.