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MSG Advanced Editor question
is it possible to change/control what pallets appear in the Grad Tab?
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One parameter I reset all the time is the "Brush Modulations" (Brush Size Range).
It does not take much to get to it now, but if I could access it (or my previously saved settings) without havng to open the Paint Synthesizer the usual way, that would be great.
It is likely you are going to tell me that this functionaloty is already in there?
;-)
Which means that after I have my various saved settings, I can go back to that panel and just click on the button I know will give me what I want.
I'd like to have access to that while in the canvas, and not have to "change hat" in order to do so.
While I am at it, how can I make one of my saved settings the default setting?
Thanks John
I'll think about the rest of what you are saying.
If I save a session or workspace, i can open it later and my brush settings are opened with it just as I left them.
However, I was thinking of having my custom brush modulation settings saved as default settings for when I open a new session or workspace, not just when I open an old one.
It's like having made a set of custom brushes that I would use for any new painting, regardless of source image or whatever.
Thank you
Sometimes, the macro indicator for making the preset a representational painting (clone color source) does not seem to do that effectively with some presets. I would like to see it work with all presets.
(Would also like to see brush size, bleed and other brush indicators on screen)
I would also like to see macro edits that can change the type of paint into oil, watercolor, acrylic and the 15 or 20 other paint types.
A macro for portrait painting would be helpful. Also lighter, darker, value, sat and hue with sliders.
I would also like to see on screen the common edit tools of lasso etc as seen in other programs.
I do like the idea of having enough macro edits so that in most cases it won't be necessary to go into the paint synthesizer to hunt for obscure settings.
Paint texture/brush stroke macro edit.
The macro edits could become the primary control panel for all various styles and effects.
A fill canvass macro edit that takes the place of geodesic interpolation in terms of eliminating white spaces in a painting.
I know some of these suggestions are not strictly speaking macro edits; but I thought I would mention them anyway.
For years, we've been talking about the need (for some of us anyway) to make all the controls as transparent as possible. I find that the best moments in my work take place when I am so immersed in the experience, I no longer see anything else. That can be accomplished by the connection to the image itself (it happens), but above all, it is helped by an interface that nearly disappears while the work is taking place.
That is why I always use a dual monitors set up, trying to move all the palettes and controls to the secondary one in order to be "alone with" my work on the main one.
Things like "fit to screen" are needed (I believe that is coming in version 4?), a hot key to toggle all the palettes/controls on and off would be great, etc.
By the way, I had a visitor here yesterday who is a prominent figure in the world of live performances, he was quite taken by Studio Artist, he looks forward to what the next version of Studio Artist will be able to do in terms of support for real-time performance work (he uses Max/MSP, will there be OSC support?), but the current version already convinced him it was time to purchase it right away (you owe me another $50 John;-).
When you say toggle on and off palettes, do you mean drop to full screen view and back?
From the "plumbing" view to the immersive one (and back).
Thanks John
but I would find it helpful if I had the option of having the macro control panel on screen at all times (something like-dare I say it- the painter palettes - also like painter I would like to see one location for each art media type eg. all oils, watercolors etc etc).