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MSG Advanced Editor question
is it possible to change/control what pallets appear in the Grad Tab?
Read more…Nü Müzak
"Nü Müzak" video made with MSGs. The muzak (haha) was made with Bespoke Synth (cool free modular music program). https://www.youtube.com/watch?v=zRSzm1-QBMI&t=305s&ab_channel=Thorrific
Read more…I am looking for an Art Deco type effect
I am looking for an Art Deco type effect, does anyone have that type of effect...?
Read more…Is anybody making a copy of all the material in the Tutorials Forum
Since the Forum is going away in June, has anyone started to make a copy of all the stuff in the Tutorials forum?I've made copies of some of the tutorial material on the main site, but haven't looked at the Tutorial Forum yet.I'm going to continue copying as much as I can for my own personal use anyway, but if anyone else is doing it, or has already started doing it, please let me know.Maybe we can co-ordinate our efforts. ps can't ..... believe John, would let this happen without so much as a…
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I think you could probably rig up msg using a live video source to build all kinds of video feedback effects that would work off of the live video. i'll try to run a few tests later today.
What I'd really like is to apply video feedback style effects to the successive frames of a video file (i.e., not just to a single frame recursively). Is this possible?
thanks,
Michael
Thanks for all the help! I've got a big project that I'm trying to finish over the next short while...
thanks,
Michael
1) using fixed image to copy some small percentage of an image onto the canvas, then
2) rotating, zooming or translating the canvas.
Since I'm using fixed image to fade in a small amount, what had been on the canvas gets repeatedly transformed, giving way to feedback type effects. This is an example of the kind of thing I've been experimenting with:
http://imig.colorado.edu/~theodore/feed.mov
(it started as a single still image). I've also made stuff that looks much more like classical video feedback (like you'd get w. a camera). The thing that's nice about an actual camera is all the "imperfection."
cheers,
Michael
Without revealing too much i think you're going to be pretty excited about some of the new features of studio artist 4 based on what you are currently doing.
I'm also intrigued by your comment on the 'imperfection' of the actual camera. Can you define that a little more and i'll try to build something in to reproduce the organic qualities of the camera feedback.
I think what I was thinking of with the camera is the way the colors get somewhat altered on the round trip journey from the screen (as opposed to a perfect digital copy). On the other hand, one could always through in a hue shift or whatever into the digital feedback loop. The other thing is the hand held tremors, which one could simulate by throwing in TGs.
All that being said, and as much as I like the immediacy of camera based video feedback, I prefer doing feedback with SA because of all of the control it offers.
Incidentally, there are some interesting articles online about using feedback to create fractal structures.....
I know with real video feedback if you zoom in really far you start to get some visual structure somehow associated with the camera sensors and sensor noise.
If you want to post the links for the feedback articles you are referring to i'm sure some of the people who read this would be interested in reading them.
I've been recently using transformed multiple layers with weird compositing operations between the layers a lot to build up visual complexity. I'll build several different layers, then flatten them down to 1, then repeat the process using the flattened layer as the source for all of the other layer transformations. Then repeat the process again, etc. An alternative to feedback for creating something like fractal structure or increased visual complexity.
http://www.physics.gla.ac.uk/Optics/projects/fractalVideoFeedback/i...
http://www.videofeedback.dk/World/
http://www.sweetandfizzy.com/fractals/diagrams.html
http://www.o-art.org/history/70's/nonlinearVid.html (James Crutchfield!)
I'm not sure I exactly understand how the compositing thing works. Are you placing the same source on all of the different layers? If so, then I think I get it. I want to test it out!