"That would change my method of working/exporting - I create new presets nearly every session and organize them in many ways - brush type, date, project name, etc., each of which might have a different (new) folder.
As a moving target, it would just…"
"Always auto write is the one option that can not be selected as a default. John's thinking is that if a user forgot that they had this selection active the target hard drive could get filled up pretty quickly.. and the unaware user would then…"
"Thanks Chris. Those are nice workarounds, but what could be easier (for the user) than simply having the last used preset loaded at startup - does anyone use the General bank in the Default collection? That would never be the right choice for me.
"I'd really like the whole "record/capture" process to be easier. For example, the program doesn;t even save my Stream Flag settings within a single session - if I set Always Auto-write for a new Stream then stop, do something, and…"
i have just read your bio, and i wonder if you could advise me?
i am looking for some generative music software. i have tried the 'ixi' software in which you just drop a folder of wav/aiff samples into it and see what it does with them. But there is no parameter control (although that can prove more interesting sometimes!)..Do you know of anything similiar, that just messes with audio.
Hey Mark. Do you happen to own Native Instruments Reaktor? That would be all you need cause there are a ton of free Reaktor Ensembles for this kind of thing in the NI user library. Probably the same is true for Max/MSP & Pluggo at Cycling '74, and those have free runtime hosts. Also at Cycling '74, you can find M2.6, which is generative (and not free), but only for MIDI as I recall.
Several others come to mind:
AnalogBox from Andy Turner (http://www.andyware.com/) lets you create
"Jambots" and has a lot of examples.
Heizenbox (http://www.kvraudio.com/get/888.html) for loop-based
hi Dennis i have just realised that you replied to my enquiry ,,,sorry for the delay in getting back to you but i didnt realise you had responded with the way these Ning messages work.
i will check out the stuff you posted
thanks for taking a look at Manifold... we applied many different custom and preset PAS's to the video clips like convex hull and rank filters. we used source effects first and applied canvass effects on top. the clips were ran through up to 8 times additively with a variety of effect combinations. the processed clips were composed together in Final Cut with layering effects.
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Simple vector font paint synthesizer preset with some added cast shadow lighting via a PASeq cast shadow lighting preset. I had the Source area set to Palette with the Random option, so that the coloring is a random choice from the source color…
"In Brush Source control panel. You can set the TB Size parameter for your Text Source to whatever you want. Just type in a larger number.
In Path Shape control panel, set your Max Path Length to 1. This way you get single letter font paint nibs (1…"
"Yes, sure, I know, but , for example, how can I have more bigger fonts ? I posted yesterday a picture that was made with your Geosource text preset, but the font is small, and the size was 100.
OK i can resize the canvas to a little size, paint…"
"Text brush fonts don't have to be small or stacked close together. It's all a function of how you program the paint synthesizer preset.
And you can use random colors or random indexing in a palette if you don't want to use a source…"