My first letter was created completely in Studio Artist. Since I wanted all the rest of the letters to have the same baseline and size, it was easier to set a black letter in photoshop and the imported it. I use region selection to create a mask.
You know, I looked at the bezier aspect of SA early on. Coincidentally I was spending a lot of time in Illustrator in my "day" job. I was sort of burned out on paths and perfection and so on. The hand drawn lines in this image were a hold over of that mentality.
I really should go back and play with that aspect of SA now that I'm over my Illustrator fatigue. Thanks for reminding me how deep and powerful SA is. I get locked into a specific approach sometimes and bury myself!
thank you for inviting me, liveart. I like the clarity of your work.
My present quest is to find the best equivalent on a PC for Final Cut Pro. It seems that SA itself does not have sufficient resources to actually link image and sound (?). If you know anybody who might know about this, kindly let me know.
My personal email is email@example.com
I am sure there are loads of Factory Paint Synth Presets that work in the area you are looking for. Experimenting with existing presets may give you what you want.
I am going to see if I can attach some of my own Paint Synth options here in…"
"Yes, I'm familiar with the get info feature. Unfortunately, the info is minimal in most cases. For instance, small differences in brush and/or path settings can make a major difference in the stroke, but probably will not show up in the get…"
"The 'get info' feature mentioned in that older post is in V5. Doesn't give you an explicit difference to another preset, but does clue you into things turned on in a given preset. So it cn give you an overview of specific things…"