My first letter was created completely in Studio Artist. Since I wanted all the rest of the letters to have the same baseline and size, it was easier to set a black letter in photoshop and the imported it. I use region selection to create a mask.
You know, I looked at the bezier aspect of SA early on. Coincidentally I was spending a lot of time in Illustrator in my "day" job. I was sort of burned out on paths and perfection and so on. The hand drawn lines in this image were a hold over of that mentality.
I really should go back and play with that aspect of SA now that I'm over my Illustrator fatigue. Thanks for reminding me how deep and powerful SA is. I get locked into a specific approach sometimes and bury myself!
thank you for inviting me, liveart. I like the clarity of your work.
My present quest is to find the best equivalent on a PC for Final Cut Pro. It seems that SA itself does not have sufficient resources to actually link image and sound (?). If you know anybody who might know about this, kindly let me know.
My personal email is email@example.com
"the warp effects are great, I've played around a lot with them...
I suppose the kai goo thing was a very simple organic pushing the paint around without constraints thing..And, maybe i'm not seeing something in SA that emulates…"
John, a long time ago, years in fact, I asked if there was a preset that imitated the old 90s program 'Kai's supergoo". You put a really cool preset up which did just that, I've trawled my laptop and backup and cannot find it...any chance you or anyone could put it up again?thanksSee More
"You need to have an ip op that generates vector paths selected as your current ip op for that generate path menu command to be active.
So, if it is active, then the current ip op you have selected generates vectors. If it isn't active,…"